Industry Sins: A Guest Post by K.D. Rose

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It’s been less than two days since I made my request for guest bloggers, and already I’ve had an overwhelming number of responses! I want to start off by thanking everyone who answered the call. I will do my best to respond to you all in a timely manner and plan your post dates.

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Meet K.D. Rose

My first guest blogger is a real hoot. Meet K.D. Rose, poet and author of currently published works, Heavy Bags of Soul, Inside Sorrow, I AM, Erasing: Shadows, Anger’s Children, A Taste for Mystery, and her newest release, The Brevity of Twit.

Her poetry has been published in Candlelit Journal, the Voices Project, and showcased in the Tophat Raven Art and Literary Magazine. K.D.’s book, Inside Sorrow won the Readers Favorite 2013 international Silver Medal for Poetry. With fellow authors around the globe, KD was also a founding member of the e-magazine, INNOVATE. Check it out!

K.D. has an eclectic mind and loves language, physics, philosophy, photography, design, art, writing, symbolism, semiotics, spirituality, and Dr. Who. KD Rose is an avid supporter of music, the arts, cutting edge science, technology, and creativity in all forms. K.D also has a chronic illness but doesn’t let it get her down. K.D. considers herself a “Spoonie” on the lam.


Today, she’ll be discussing innovative e-readers. Take it from here, K.D. Rose!

I am a small-time author. By that I mean no best seller lists, small sales, etc. On the other hand I am also an immensely curious, well-studied, and eternally optimistic human being. Through-out my journey, both as an indie author and with publishers, I’ve noticed something. Indie and small-press authors should relate. What I noticed is how difficult it can be to publish e-books that consist of anything other than generic words in a generic font and .. and well, that’s it.

Generic words with a generic font are all we can seem to generate. By we, I refer to book distributors, meaning the big players of Amazon, and Barnes & Noble as well as the small presses. Then there’s Apple. The lone wolf of the technology world has some multi-touch books that have enhancements if you have an iPad. But Apple is rather useless to authors and publishing houses that do not have the time or money to put out complicated formats. These enhancements are not an innate part of the publishing process. Take it from an e-author. Even fonts are not up for discussion.

To make a living, authors and publishers need to be distributed by Amazon and other retailers who cannot yet accommodate these enhancements. Once an author has gone through the excruciating process of learning that his or her e-book must be formatted technically in multiple ways for multiple distributors, there’s relatively little money or energy left to fight for more.

However, I like to stay on the edge. And by edge I mean bleeding edge. You’ve heard of the cutting edge? Well the bleeding edge is where you’re so far ahead so people just look at you like you’re crazy. The concepts haven’t entered their mind yet. And it is so very important for concepts to enter minds—because how else do we create? We have to envision before we can create.

Yes, I want Dean Kamen’s clean water for the world!

Yes, I want Bill Gates’ next generation toilets in every third world country!

The point is, there are always pioneers, and as an author, I say that those pioneers need to get busy with books and more important; the industry should welcome these things with open arms. We know that e-books are “in” now and print books are still viable, but industry-wide enhancement of e-books is a murky, disturbed thought because it would require a way to bring together so many different types of formatting issues.

Here’s a few of the things I can’t do for large distribution:

  • I can’t use a smart pen to write on pages that my readers will see;
  • I can’t embed pictures easily into my e-book (or have them remain properly placed);
  • I can’t easily put links in my e-book for the readers to go other places related to the book;
  • I can’t place a video onto the page of my e-book for my reader to see.

Now, I can do all these things individually:

  • I can use my smart pen on my computer documents;
  • I can make a soundtrack to my book and share it using social media;
  • I can put a link in my book to go to a website where more links are available;
  • I can go to a vanity press and make a beautiful book full of pictures.

None of this helps an author. As an author my needs are simple. I need to be published and I need people to buy my books. However, as an author and someone who loves advances in every discipline, I want more. I conceive of more. I also know that in a few years, others will want more. Those babies playing with baby smart phones today are your e-book customers of tomorrow. They will expect more. The kids using smart-phones right now expect more. Now.

Here’s what I envision as de facto parts of an e-book:

  • An e-book that I can open and see pictures on any page. Pictures of characters, pictures of scenes, whatever, seamlessly integrated into my story;
  • An e-book where I can open a page and there is a video where all I have to do is click to see the video, because the video was important to the scene;
  • an e-book where I open up the page and see drawings by hand that the author wanted to show me, in between the print;
  • Multiple fonts used when needed for part of the story that I, as a reader, can enjoy; I envision buttons where all I have to do is click, as a reader, to hear the music the author is talking about to set any scene;
  • Multiple colors on text, not even used sparingly, as part of telling a story that I, as the reader need to see to ‘get it’;
  • A button on the e-book that will let me hear the book as an audio book if I so choose, rather than reading it;
  • A button on the e-book that will convert the format immediately to whatever mobile phone I happen to have so I can read it on there instead (because now I am out the door somewhere and don’t want to lug anything else). Or the other way around, because now I’m home and I want to read on something larger; I envision all these things available as an innate part of the publishing process.

Here are a few that distributors’ should care about:

  • Links that take me, as a reader, directly to the distributor site to buy the next book in the series, or any other book by that author;
  • Links that take me to an excerpt of that authors next book or any of that author’s books, which I can then click and buy if I choose.
  • Links that allow me to share a message of how good the book was on multiple social media accounts.

I’m sure there’s more. In fact, I am positive there is more because I am not a baby with a smartphone or a kid getting bored with e-books or reading in general because there is so much more at my fingertips on other devices. What do you envision? What can we make happen? Most important: when can we make it happen as a general industry practice?

I leave you with questions.


In the infamous words of Porky Pig, “That’s all folks!” Be sure to check out K.D.’s blog, website, and or connect with her on Twitter, Tumbler, Google +, InstagramLinkedin, Goodreads, and Facebook. And be sure to stay tuned for more awesome guest blogs!

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Ten Changes in Book Publishing: A Guest Post by Author Rayne Hall

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Happy Hump Day, everyone! As you probably gathered from Monday’s post, I’ve not been much in a blogging mood … or writing mood in general. So lucky for me, Rayne Hall had a guest post up her sleeve to share with me today. Since so many of my followers are published and pre-published authors, I thought it might be fun to share her ten changes in book publishing list. Maybe you’ve noticed the same things. Let’s find out!


TEN CHANGES IN BOOK PUBLISHING

by Rayne Hall

  1. In the past, most authors worked for editors. Today, most editors work for authors.
  2. Most books went from author to agent to publisher to distributor to bookseller to reader. Now, more and more go from author to distributor to reader, cutting out most middlemen.
  3. To be commercially viable, books had to sell enough copies to finance a big publishing apparatus. Now, many need to pay only one person: the author.
  4. Agents and editors acted as gatekeepers, ensuring that poorly written books did not get published. Now, it’s the authors’ responsibility to ensure their books are as good as they can make them.
  5. When books were printed, wordcounts were critical. Nowadays with ebooks, lengths are flexible; only quality counts.
  6. Once a book was published, it was too late to correct errors, change the cover or tweak the blurb; any improvements had to wait until the printrun had sold out. With ebooks, anything can be changed any time.
  7. Many publishers prevented communication between readers and authors. Today, direct reader-author communication is encouraged because it sells books.
  8. Mixing genres used to make a book impossible to sell. Today, genre cross-overs sell just fine.
  9. Writers used to spend much time courting agents. Now they spend much time courting readers.
  10. ‘Previously published’ used to lessen the value of a story. Nowadays, it’s a quality mark.

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Meet Author Rayne Hall

Rayne Hall has published more than fifty books in several languages under several pen names with several publishers in several genres, mostly fantasy, horror and non-fiction.  She is the author of the bestselling Writer’s Craft series and editor of the Ten Tales short story anthologies.

She is a trained publishing manager, holds a masters degree in Creative Writing, and has worked in the publishing industry for over thirty years.

Having lived in Germany, China, Mongolia and Nepal, she has now settled in a small dilapidated town of former Victorian grandeur on the south coast of England where she enjoys reading, gardening and long walks along the seashore. She shares her home with a black cat  adopted from the cat shelter. Sulu likes to lie on the desk and snuggle into Rayne’s arms when she’s writing.

You can follow her on Twitter where she posts advice for writers, funny cartoons and cute pictures of her cat.